The legendary Jean-Luc Godard adds to his influential, iconoclastic legacy with this provocative collage film essay, a vast ontological inquiry into the history of the moving image and a commentary on the contemporary world. Displaying an encyclopedic grasp of cinema and its history, Godard pieces together fragments and clips them from some of the greatest films of the past, then digitally alters, bleaches, and washes them, all in the service of reflecting...

Léa Seydoux brilliantly holds the center of Bruno Dumont’s unexpected, unsettling new film, which starts out as a satire of the contemporary news media before steadily spiraling out into something richer and darker. Never one to shy away from provoking his viewers, Dumont (The Life of Jesus, NYFF35) casts Seydoux as France de Meurs, a seemingly unflappable superstar TV journalist whose career, homelife, and psychological stability are shaken after...

In this Parisian bitter sweet romance from Cédric Klapisch, warehouse employee Rémy (François Civil) and research assistant Mélanie (Ana Girardot) have never met, but they live parallel lives: they reside in neighboring apartment buildings, ride the same subway route, and are troubled by bouts of insomnia and depression. Their days punctuated by unfulfilling jobs, they seek meaningful romantic and platonic connection. As they stumble through psychotherapy,...

Paris, 1993. Jacques (Pierre Deladonchamps) is a semi-renowned writer and single father in his thirties trying to maintain his sense of romance and humor in spite of the turmoil in his life and the world. While on a work trip to Brittany, he meets Arthur (Vincent Lacoste), an aspiring filmmaker in his early twenties, who is experiencing a sexual awakening and eager to get out of his parochial life. Arthur becomes instantly smitten with the older man....

THE MAN IN THE HAT journeys through France in a Fiat 500 accompanied by a framed photograph of an unknown woman. He is pursued by five angry men in a Citroen Dyane. Why are they chasing him and how can he shake them off?

After attempting to set a mailbox on fire, Pimpette, 14, and her elder sister, Joséphine, 18, spend their summer holidays shuttling between their secretly pregnant mom and bachelor father. But when Joséphine gets involved with the wrong crowd, little Pimpette turns out to be more responsible than the grown-ups who spend their time educating her.

At the end of the 1950s, Rachel (Virginie Efira), a young office clerk living in a provincial town, meets Philippe (Niels Schneider), a well-educated man from a wealthy family. They share an intense but short-lived romance, from which a daughter is born. Over the next 50 years, their lives will be shaped by the unconditional love between a mother and her daughter, overshadowed by the impossible love of a woman for a man that rejects her, and of a...

In the heart of the Tibetan highlands, multi-award-winning nature photographer Vincent Munier guides writer Sylvain Tesson on his quest to document the exceptionally elusive snow leopard. Munier introduces Tesson to the subtle art of waiting from a blind spot, tracking animals, and finding the patience to catch sight of the beasts. Through their journey in the Tibetan peaks, inhabited by invisible presences, the two men ponder humankind’s place...

In 1981, it was still illegal to be gay in France. PROUD tells the story of three generations of the same family who represent the seismic social changes that took place in just three decades. From the award-winning director of Fatima (the 2016 Cesar winner for Best Film), this three-part episodic cinema event is a chronology of tolerance and a portrait of one family through changing times.

One evening after work hours, Jenny, a young doctor, allows the door buzzer at the small clinic where she works to go unanswered. It's only later that she learns that the person ringing was an unidentified African woman found dead shortly after by the side of a road. Consumed by the thought that she is to blame, Jenny embarks on an obsessive crusade to discover who the anonymous woman was and to see to it that she is not forgotten.