Memoir of the social and sexual lives of New York City's cultural and intellectual in-crowd in the tumultuous 1970s.

Throughout history artists have collected objects for professional and private reasons. Picasso, for example, collected African and Oceanic art; Walker Evans amassed a huge collection of postcards depicting ordinary Americans; and Matisse was an avid collector of exotic textiles and furniture. This book takes a look at the private collecting habits of modern and contemporary artists including Arman, Peter Blake, Hanne Darboven, Edmund de Waal, Damien...